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“the DIGITALLY BEAUTIFUL” What is the substance of this term coined by the philosopher Byung-Chul Han (*1959 in Seoul, South Korea, lives in Berlin)? It is an antipode to the analogue? An alternative concept to the naturally beautiful? Or a call to develop creatively headstrong positions that can stand up for themselves in the enormous heap of digital images? The exhibition at the PETERSBURGER Raum für Kunst in Cologne attempts to find answers to these questions in the familiar dialogue form